Page:A Dictionary of Music and Musicians vol 4.djvu/944

40b; L'Homme armé, ii. 127a; Magnificat, ii. 196a; Motet, ii. 375b; Mus. Antiqua, ii. 411a, etc.; Mus. Lib., ii. 421b; Rochlitz, iii. 141b; Saggio di Contrappunto, iii. 212a; Schools of Comp., iii. 263b, etc.; Sistine Choir, iii. 521a; Yriarte (Don T. de), iv. 496b; Alfieri, iv. 520b; Sistine Chapel, iv. 794a.

Moralt, G., ii. 362b.

Moralt, J., ii. 362b; Menter, ii. 312a; Zeugheer, iv. 507a.

Moralt, J. B., ii. 362b; iv. 719b; Zeugheer, iv. 507a.

Moralt, P., ii. 362b; Menter (J.), ii. 312a.

Moralt, ii. 362b.

Morani; Strakosch, iii. 734a.

Morari, A.; Lassus, ii. 96a; Latrobe, ii. 103a.

Moratti; Haydn, i. 706b.

Mordent, ii. 362b; iv. 716b; Agrémens, i. 42b; Beat, i. 158a; Notation, ii. 477b; Shake, iii. 479b.

Moreira, B. V. de Sá; Sociedade de Quartetos do Porto, iii. 543a; Song, iii. 600b.

Morel; Song, iii. 597a.

Morelli, G., ii. 365a; Haydn, i. 706b.

Morendo, ii. 365a.

Moresca; Opera, ii. 501a; Dance-Rhythm, iv. 606b.

Moreschi; Haydn, i. 707b.

Moretti; Fraschini (G.), i. 560b; Mus. Lib., iv. 726a.

Mori, F., ii. 365a; Ryan, iii. 207b; Soc. Armonica, iii. 543a; Vinning, iv. 266b.

Mori, N., ii. 365a; Dando, i. 429b; Lavenu, ii. 106a; Mendelssohn, ii. 274b; Philh. Soc., ii. 698a; R. Acad. of Mus., iii. 185a; Violin-playing, iv. 298b.

Moriani, N., ii. 365a iv. 719b; Singing, iii. 511a.

Moriari; Latrobe, ii. 103a.

Morichelli, A. B., ii. 365b.

Morigi, A., ii. 366a; Asioli, i. 99a.

Morigi, P., ii. 366a.

Morisque; Orchésographie, ii. 560b.

Morkova, V.; Hist. of Mus., 675b.

Morlacchi, F., ii. 366a, iv. 719b; Marschner, ii. 219a; Mattei, ii. 239a; Rossi-Scotti, iii. 163b; Weber, iv. 401b; Weigl (Jos., jun.), iv. 432b; Mus. Lib., iv. 726a.

Morley, T., ii. 367b, iv. 720a; Ballad, i. 129a; Ballets, i. 132b; Bar, i. 136b; Barnard (Rev. J.), i. 140b; Bennet (J.), i. 224b; Bind, i. 243a; Bonny Boots, i. 260a; Boyce, i. 267a; Byrd, i. 287a; Canzonet, i. 306b; Cathedral Mus., i. 325a; Este (T.), i. 496a; Fa-la, i. 501a; Ferrabosco (A.), i. 512a; Fugue, i. 569a; Gastoldi, i. 584a; Hawkins, i. 700b; Hymn, i. 762b; Imperfect, i. 767a; Lesson, ii. 124b; Madrigal, ii. 187b, etc.; Micrologus, ii. 327b; Motet, ii. 372a; Mundy (W.), ii. 409b; Mus. Antiquarian Soc., ii. 416b; Mus. Lib., ii. 418a, etc.; Mus. Printing, ii. 435a; Oriana, ii. 611a; Part Mus., ii. 656b; Part-song, ii. 658a; Pavan, ii. 676b; Proportion, iii. 41b; Redford (J.), iii. 89a; Schools of Comp., iii. 277a, etc.; Sheppard, iii. 486b; Specimens, Crotch's, iii. 649b; Strict Counterpoint, iii. 740b; Subject, iii. 750a; Suite, iii. 755a; Turini, iv. 190b; Tudway, iv. 198a; Villanella, iv. 264b; Violin-playing, iv. 287a; Virginal Mus., iv. 308a, etc.; Vocal Scores, iv. 320a; White (Rob.), iv. 452a; Zacconi, iv. 497a; Burney, iv. 570b; Byrd, iv. 573a; Dunstable, iv. 620a; Hist. of Mus., iv. 674b; Mus. Lib., iv. 723b, etc.; Part-books, iv. 740b; Psalter, iv. 759a, etc.

Morley, W., ii. 368b; Isham, ii. 24a.

Mornable; Attaignant, i. 100b.

Mornington, G. C. W., Earl Of, ii. 368b; iv. 720a; Barrington, i. 144b; Catch Club, i. 322b; Glee, i. 599a; Part Mus., ii. 656b, etc.; Professor, iii. 33a; Trin. Coll., Dublin, iv. 170b; Vocal Scores, iv. 320a.

Moro, Angelica; Lamperti, ii. 89a.

Morra; Strakosch, iii. 734b.

Morris Dance, ii. 369a; iv. 720a; Orchésographie, ii. 560a.

Morris, R. L.; Hist. of Mus., iv. 674b

Morrocchi, S. R.; Hist. of Mus., iv. 675b.

Morrow, W.; Trumpet, iv. 804b.

Mortier de Fontaine, ii. 369b, iv. 720a; PF.-playing, ii. 745, iv. 748b.

Mortimer, P.; Hist. of Mus., iv. 677a.

Morungen, H. von.; Song, iii. 615a.

Mosca; Ifigenia, i. 765b; Rossini, iii. 165b.

Moscheles, I., ii. 369b, iv. 720a; Alsager, i. 57a; Argyll Rooms, i. 82b; Ascher, i. 97b; Augarten, i. 104a; Bach, i. 118b; Bach-Gesellschaft, i. 118b; Beethoven, i. 169b, etc.; Birmingham Festival, i. 244a; Blahetka, i. 247a; Cadenza, i. 294b; Clementi, i. 373a; Conductor, i. 390a; Cramer (J. B.), i. 413b, etc.; Dannreuther, i. 430a; Dussek (J. L.), i. 476b; Eljah, i. 486a; Ertmann (Mme.), i. 494a; Etudes, i. 496b, etc.; Extempore-playing, i. 499a; Fidelio, i. 519a; Filtsch, i. 523a; Forbes, i. 539b; Galitzin, i. 576a; Gernsheim, i. 590b; Glee Club, i. 599a; Grieg, i. 630b; Händel-Gesellschaft, i. 659a; Harpsichord, i. 691a; Henschel, i. 729a; Herz, i. 732b, etc., Horsley (C. Ed.), i. 754a; Improvisation, ii. 2a; Ivanoff, ii. 26a; Jaell, ii. 30a; Leipzig, ii. 115b; Lied ohne Worte, ii. 135a; Lind, ii. 140b; Litolff, ii. 153b; Mayseder, ii. 241b; Melodists' Club, ii. 249a; Mendelssohn, ii. 256b, etc.; Meyerbeer, ii. 322a; Neukomm, ii. 452a; Niedermeyer, ii. 455a; Oberthur, ii. 485b; O'Leary, ii. 496b; Paganini, ii. 630b; Part Mus., ii. 656b; Pauer (E.), ii. 674b; PF. Mus., ii. 728a; PF.-playing, ii. 738b; Pitman (J.), ii. 759a; Pleyel (Mme.), iii. 3b; Rea (W.), iii. 79a; Riedel, iii. 129b; Royal Academy of Mus., iii. 185b; Rubinstein, iii. 192b; Schelble, iii. 244a; Schindler, iii. 251a; Schools of Comp., iii. 308b; Schumann, iii. 385a, etc.; Schumann (Clara), iii. 422a; Shake, iii. 480a; Siboni, iii. 491a; Sloper, iii. 536b; Smith (Sidney), iii. 541b; Sowinski, iii. 647b; Stiehl, iii. 714b; Studies, iii. 747a; Sullivan, iii. 761b; Swinnerton Heap, iv. 9b; Taylor (F.), iv. 66b; Thematic Catalogue, iv. 99b; Thomson (J.), iv. 107b; Torrance,