are three such little arches in each bay, and in the narthex five. This design afterwards became in Germany and Italy the favorite string course moulding.
456. Section of church of Granson.
(From Blavignac.)
The church of Granson, on the borders of the lake of Neufchatel, though much smaller, is scarcely less interesting. It belongs to the Carlovingian era, and like many churches of that age, has borrowed its pillars and many of its ornaments from earlier monuments. Its most remarkable peculiarity is the vault of the nave, which shows how timidly at that early period the architects undertook to vault even the narrowest spans, the whole nave with its side-aisles being only 30 ft. wide. It is the earliest specimen we possess of a mode of vaulting which subsequently became very common in the South of France, and which, as has been pointed out above, led to most of the forms of vaulting afterwards introduced.
The church of Notre Dame de Neufchatel, part of which is as old as from 927 to 954, presents also forms of beauty and interest. The same may be said of the tower of the cathedral of Sion, which is of the same age, and of parts also of the cathedral of Geneva.
The church at Payerne is very similar in size and in all its arrangements to that of Romain-Motier; but being two centuries more modern, the transition is complete, and it shows all the peculiarities of a round-arched Gothic style as completely as San Michele at Pavia, or any other church of the same age.
If there are any examples of basilican churches in Germany as old as these Swiss examples, they have not yet been described, nor their age satisfactorily ascertained. The oldest known example, so far as I am aware, is the old Dom at Ratisbon,[1] originally apparently about 40 ft. by 20 over all. It was surrounded internally by eleven niches, and vaulted. It also possessed the peculiarly German arrangement of having no entrance at the west end, but with a deep gallery occupying about one-fourth of the church. The lateral entrance is unfortunately gone, so that there is very little ornamental architecture about the place by which its age could be determined; and as no record remains of its foundation, we can only conjecture that it may belong to some time slightly subsequent to the Carlovingian era.[2]
