Page:A History of Art in Ancient Egypt Vol 1.djvu/38

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xviii
Introduction.

when they examine a collection of terra-cottas. Some of these figures, no more than a span high, resemble the marbles of the Parthenon in dignity and grandeur, others are full of grace and playfulness in their outlines, and show a capricious abandon which disconcerts for a moment even those who are least insensible to their charm. At the bases of such works one is apt to look for the signature of some artist of the Renaissance or of the eighteenth century. In reality they have existed ever since the fourth or third century before our era, and yet there is something modern in their appearance. But an indescribable purity of taste suffices to betray their real origin to all those who possess knowledge and delicate perceptions. That origin is still Greece, but Greece in her lighter and more playful moments, when, leaving the representation of gods and heroes, she condescends to treat the familiar objects of domestic life, and does it with an ease of which her great writers, notably Plato and Aristophanes, had also found the secret, when they passed from epic tragedy to comedy, from the noblest eloquence to hearty expressions of enjoyment.

These little statues interest the historian for other reasons also. They sometimes give him, as at Tanagra, the most precise and accurate information as to dress and social customs: sometimes, as at Tegæa, they afford particulars of a famous though obscure form of worship, of a divinity and of rites which are but imperfectly described in the writings of classic authors.

This extension of knowledge and the great discoveries upon which it was based, naturally led those who were interested in the study of the remains of antique civilisation, to feel the necessity of organisation, of division of labour, and of the importance of ensuring a steady supply of the best and most trustworthy information. Societies were therefore founded in many different centres with the express object of meeting those wants. We cannot, of course, enumerate them here, nor attempt to estimate their various claims to our gratitude, but we may be permitted to allude to the good work accomplished, during fifty years of incessant activity, by the Association which has perhaps done more than any other for the progress of archæology, we mean the Instituto di Corrispondenza Archeologica, founded in Rome in 1829, by Bunsen, Gerhard, and the Duc de Luynes. Thanks to the breadth of view which characterised its founders, this society has