JD^ A History of Art in Ancient Egypt. conducive to the preservation of delicately ornamented objects in such a climate as that of Egypt. It was this part of the temple, then, that the Greeks called the treasure-house. It inclosed the material objects of worship. Some of its chambers, however, were consecrated to particular divinities and seem to have had somewhat of the same character as the apsidal chapels of a Roman Catholic Church. They are material witnesses to the piety of the princes who built them and who wished to associate the divinities in whose honour they were raised with the worship of the god to whom the temple as a whole had been dedicated. Whether store-rooms or chapels, these apartments might be multiplied to any extent and might present great varieties of aspect. At Karnak, therefore, where they communicate with long and wide galleries, they are very numerous. One of them was that small chamber which was dismantled thirty years ago by Prisse d' Avennes and transported to Paris. It is known as the Hall of Ancestors. In it Thothmes III. is, in fact, represented in the act of worshipping sixty kings chosen from among his predecessors on the Egyptian throne. The last feature noticed by Strabo in the small temple taken by him as a type, was the sculpture with which its walls were lavishly covered. These works reminded him of Etruscan sculp- ture and of Greek productions of the archaic period, but we can divine from the expressions ^ of which he makes use, that he perceived the principles which governed the Egyptian sculptor to be different from those of the Greeks. The Greek architect reserved certain strictly circumscribed places for sculpture, such as the friezes and pediments of the temples, while in Egypt it spreads itself indiscriminately over every surface. In the temple of Khons, as in every other building of the same kind at Thebes, we find this uninterrupted decoration. Mariette has shown the interesting nature of these representations and their value to the historian. We have still to notice, always keeping the same edifice in view, two original points in the characteristic physiognomy of the Egyptian temple which seem to have escaped the attention of the Greek traveller. In the Greek temple there is no space inclosed by a solid wall but that of the cella, which, by its purpose, answers to ^ ' Avayv(f)a<; 8' i^ovcTLV ol rorj^oi ovtol fx^yaXuiv elbu)<t)v (StRABO, XVll, I, 28).
