Conventions of Chald.eo-Assyrian Sculpture. 139 series of monuments, the king is to be distinguished by his personal features from the people about him. You must not take the evidence of drawings or even of photographs ; you must examine the originals themselves. This I have done with the most scrupulous attention both in the British Museum and the Louvre. I have carefully examined and compared the four great series of royal bas-reliefs that have come down to us, belonging respectively to Assurnazirpal, Sargon, Sennacherib, and Assur- banipal. If such an examination be made without prejudice, I am satisfied that only one conclusion can be come to. In all the pictures dating from one reign the king himself differs not at all from his officers and nobles ; he is only to be recognized by his lofty tiara, an ornament that he alone had the right to wear, by his sceptre or some other attribute of the kind, by his richer costume, and, finally, by his greater stature. The sculptor always makes him taller than his subjects, still more than his enemies and captives (Vol. I. Fig. 22, and Fig. 15 above). This latter pro- ceeding seems childish, but it is so natural, and is found in so many countries, that it is not at all astonishing. The sculptor has counted upon all these attributes to show, at a glance, which is the king ; and they are, in fact, of a nature to prevent any chance of a mistake. He has not troubled himself to seek in his royal features for something by which he might be distinguished from the people about him. Winged genii, king and viziers, all have the same eye, the same nose and the same mouth. One would say that for each group of bas-reliefs the original designer only drew one head, which was repeated by tracing or some other process as often as there might be heads in the composition, and that it was afterwards carved and modelled in the alabaster by the chisel of the journeyman. No, in spite of all that has been said, the Assyrians made no portraits. They did not even attempt to mark in any precise fashion, those physical characteristics by which they themselves were so sharply divided from many of the races by whom they were surrounded. Among the numerous peoples that figure in the sieges and battles that cover the palace walls, although some, like the Chaldse.ans, the Jews, and the Syrians, were near relations of their own, others belonged either to the Aryan or Turanian family ; but any one who will examine the reliefs as we have done, will see that all the prisoners of war and other vanquished enemies