Page:A History of Italian Literature - Garnett (1898).djvu/111

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THE AMOROSA VISIONE
93

Polifilo of Francesco Colonna. The poet is conducted through a number of visions illustrative of the pomps and vanities of the world, and the poem leaves off just as, by command of his mistress, he is about to attempt the narrow way which he should have taken at first. Written apparently for the entertainment of a courtly circle, and encumbered with fantastic acrostics, it reveals little of the deep feeling of its predecessor or its successor; but if regarded simply as the description of a series of pageants, must be allowed the merits of fertile invention and glowing colour. Boccaccio's enthusiastic praise of Dante, whom he calls the lord of all science, and the source of everything, if there be anything, excellent in himself, is highly honourable to him.

A good example of Boccaccio's epic vein is afforded by the prayer of Emilia to Diana in the Teseide, uttered when Palamon and Arcite are about to fight for her sake. For this, as for several other versions, the writer is indebted to Miss Ellen Gierke:

"She thus in broken vows 'mid sighs began:
'Chaste Goddess, who dost purify the glades,
And of a maiden train dost lead the van,
And him chastises who thy law evades,
As lost Actæon learned in briefest span,
Who, young and hapless, smit 'mid sylvan shades,
Not by scourge whip, but by thy wrath celestial,
Fled as a stag in transformation bestial.
 
'Hear, then, my voice, if worthy of thy care,
While I implore by thy divinity,
In triple form, accept my lowly prayer,
And if it be an easy task to thee
To perfect it—I prithee strive, if e'er
Soft pity filed thy heart so cold and free
For maiden client who in prayer addrest thee,
And who for grace or favour did request thee.