Page:A History of Italian Literature - Garnett (1898).djvu/259

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THE COURT OF FERRARA
241

and there seems no reason to attribute malevolence to his fellow-courtiers. The situation of this child of genius at a court was indeed a false one, and could have no fortunate issue; yet the innate germ of insanity would almost certainly have developed itself, whatever the external circumstances of his lot. For five or six years all went well. Tasso chose the subject of his poem, laboured diligently at it, attracted universal admiration by the brilliancy and fluency of his occasional compositions, disputed successfully with the elite of Ferrara on the subject of Love, and in 1571 accompanied the Cardinal on a mission to France. The French court had not yet resolved upon the St. Bartholomew, and its coquettings with the Huguenots scandalised the devout poet. He composed two discourses upon France and its affairs, which, although in some respects fanciful, display much penetration. On his return he quitted the Cardinal's service for no very apparent reason, and shortly afterwards entered the Duke's. This would bring him into more intimate relations with the Duke's sisters. One of these, Lucrezia, soon contracted, avowedly for reasons of state, a marriage with the Duke of Urbino; but Leonora, weak in health and devoted to good works, remained single. With her the romance of Tasso's life is associated; and although the belief that a presumptuous attachment occasioned his imprisonment is undoubtedly groundless, the attachment itself is the evident inspiration of much of his lyrical poetry:

"Lady, though cruel destiny deny
To follow you, and eager feet enchains,
Ever the heart ufion your vestige strains,
And save your tresses knows not any tie.