genius and most prominent association with the national movement have been treated of in previous chapters, but the host of distinguished if less illustrious authors who must be briefly reviewed in this, was not less animated with patriotic feeling, and this pervading spirit imparts to the Italian literature of the period unity and dignity, and entitles it to a higher place in the general history of literature than could have been procured for it by the mere ability of its representatives.
One apparent exception to this generally liberal and patriotic tendency is not really an exception. The New Catholic reaction which was a necessary consequence of the Revolution, whatever it may have been among the priesthood and the less cultivated classes, was neither illiberal nor unpatriotic among men of letters. Many of the most eminent of these were fervent Catholics, and as such felt themselves in a strait between the claims of religion and of country. As the head of the Church, the Pope was entitled to the profoundest veneration, but as temporal prince, he was as much supported by Austrian bayonets as any of the rest. Could he be promoted from this undignified position to that of spiritual King of Italy by the union of all Italian states into a confederacy under his auspices? This project, if Utopian, was yet natural, generous, and in no respect inconsistent with true patriotic feeling. It broke down from the demonstration furnished by the course of events of the incompatibility of Italian confederacy with Italian unity, but, by the exertions of its opponents, no less than those of its supporters, it left deep traces upon literature.
This idea was the especial property of Vincenzo Gioberti, already mentioned among the men to whom Italian regeneration owes most. Its very fallacy was a
