Page:A History of Italian Literature - Garnett (1898).djvu/90

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
72
ITALIAN LITERATURE
All look angelicaly all tender gest

That e'er on man by grace of woman beamed
At side of this had shown discourtesy.
The gentle visage, modestly depressed
Earthward, inquired with silence, as meseemed,
'Who draws my faithful friend away from me?' "

Long after this, which surely should have satisfied a Platonic lover, he is looking forward to a more perfect consummation of his wishes:

"Love sends me messengers of gentle thought,
Since days of yore our trusty go-between,
And comforts me, who ne'er, he saith, have been
So near as now to hope's fruition brought."

What hope's fruition was we learn from numerous sonnets composed after the death of Laura, in which the poet expresses his thankfulness that his mistress did not yield to his too ardent entreaties, but kept him in order by her frowns, a function attributed to her even in the first book of sonnets:

"O happy arts of excellent effect!
I labouring with the tongue, she with the glance,
Have glory there, and virtue here bestowed."

Laura's attitude towards Petrarch seems not ill expressed in the sonnet composed in the eighteenth century by Ippolito Pindemonte:

"To thee, immortal lady lowly laid
Where Sorga glassed thy loveliness divine,
I bow in worship; not because was thine
The beauty solely for the coffin made;
But for the soul that animating swayed,
And, cold and colder growing, did incline
Brighter and brighter yet to soar and shine
Thy lover's flame of passion unallayed.