really knowing them. They may be young, attractive, and of sedate manners; and so long as they are without external distractions, they will naturally, by the assiduous imitation of others, gain some skill in frivolous pastimes. But their friends will screen their defects and represent their good qualities in the best light. How is anybody to condemn them in his own mind without a proof, and say to himself, "That is not so"? Whereas if we believe all that is said of them, we are sure to find on further acquaintance that they fall in our estimation.' Here the Chiujō paused, ashamed of his own precipitancy. Genji smiled, thinking of something of the same kind, though not absolutely so, in his own experience, and said, 'But surely they have all some good points?' 'Just so,' replied the Chiujō. 'If they had none, who would be taken in? Of those utterly sorry creatures who are beneath notice, and of the superior women for whose accomplishments we feel an unqualified admiration, the numbers are alike few. Those born in a high station are made much of by their friends, and their faults are concealed, so that in outward appearance they are naturally second to none. In the middle class, there is greater freedom of expression of individual feeling, and thus the means are afforded of distinguishing among them. As for those of the lowest station of all, they are quite unworthy of our attention.'"
Here Genji and the Chiujō are joined by two other friends. The conversation is continued at considerable length, and various types of womanhood are discussed with illustrative anecdotes drawn from the speakers' experience. This passage, known as the Shina-sadame, or Critique (of women), is much admired by the Japanese, and is considered by critics to be the kernel of the whole
