precarious and unsatisfactory. "Don't become an irimuko," says the proverb, "if you possess one go of rice." Ikku did not remain long with either of these wives. Very likely his parents-in-law objected to his Bohemian habits and dismissed him. In his third marriage he was careful not to sacrifice his freedom. Ikku's biographers relate many stories of his eccentricities. Once when on a visit to a wealthy citizen of Yedo he took a great fancy to a bathtub. His host presented it to him, and Ikku thereupon insisted on carrying it home through the streets, inverted over his head, confounding with his ready wit the passengers who objected to his blindly driving against them.
One New Year's Day a publisher came to pay him the usual visit of ceremony. Ikku received him with great courtesy, and prevailed on him, somewhat to his bewilderment, to have a bath. No sooner had his guest retired for this purpose than Ikku walked off to make his own calls in the too confiding publisher's ceremonial costume, Ikku not being possessed of one of his own. On his return, some hours later, he was profuse in his thanks, but said not a word of apology.
When he was engaged in composition he squatted on the floor in a room where books, pens, inkstone, dinner-tray, pillow, and bedding lay about in confusion, not an inch of free space being left. Into this disorderly sanctum no servant was ever admitted.
Ikku's ready money went too often to pay for drink, and his house lacked even the scanty furniture which is considered necessary in Japan. He therefore hung his walls with pictures of the missing articles. On festival days he satisfied the requirements of custom, and propitiated the gods by offerings of the same unsubstantial kind.
