tists, just as nearly all the great painters frequently took their conceptions of scriptural scenes from their predecessors; hence these Bible Figures show a marked resemblance in their general composition to the earlier woodcuts in illustration of the Scriptures. But while Holbein followed the earlier custom in representing two or three associated actions in one scene, and kept the same relative arrangement of the parts, he essentially modified the total
Fig. 54.—Nathan Rebuking David. From Holbein's "Icones Historiarum Veteris Testamenti." Lyons, 1547.
effect by omitting some elements, subordinating others, giving prominence to the principal group, and informing the whole picture with a far more vigorous, thoughtful, and expressive spirit. In artistic merit some of these designs are among the best of Holbein's work; but the technical skill of the wood-engraver who cut them is inferior to that shown in the Dance of Death. The scene in which Nathan is represented rebuking David (Fig. 54) is especially noble in conception: the prophet does not clothe himself in any supe-
