Page:A History of Wood-Engraving.djvu/147

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THE DECLINE AND EXTINCTION OF THE ART.
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with such boldness and force that some writers have believed Titian to have drawn the design on the block for Boldrini to engrave. The works of Titian and other Venetian painters were reproduced in the same way by Francesco da Nanto (c. 1530); and by other artists, like Giovanni Battista del Porto (c. 1500), Domenico delle Greche (c. 1550), and Giuseppe Scolari (c. 1580), who also sometimes made

Fig. 59.—Milo of Crotona. From a print by Boldrini after Titian.
Fig. 59.—Milo of Crotona. From a print by Boldrini after Titian.

Fig. 59.—Milo of Crotona. From a print by Boldrini after Titian.

wood-cuts from their own designs. Besides these engravings, some very large cuts, similar to those which the German artists had attempted, were printed from several blocks; but they have little interest. The illustrations in Vesalius’s Anatomy, published at Bâsle in 1543, in which wood-engrav-