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1. Historia Virginis Mariæ, 41.
2. History of the Kings of Hungary, 53, 54.
3. Holbein, Hans: the first modern artist, 116; character and development of his genius, 117–120; early work, 120; Dance of Death, 123–128; his democratic, reforming, and sceptical spirit, dramatic and artistic power, 120–127; Figures of the Bible, 129–131; his English portraits, 131; his English woodcuts, 132; summary of his powers and influence, 132–134.
4. Holy prints, 21–26.
5. Hoskin, Robert, 195.
6. Hypnerotomachia Poliphili: illustration of the Italian Renaissance, 70–81; the French reproduction, 137, 138.
7. Initial letters: in Faust and Scheffer’s Psalter, 46; in the Augsburg Bible, 52; in Italy, 86; in Holbein’s alphabets, 120, 121.
8. Italy: artistic spirit, 65; democratic civilization, 66; the Renaissance, 67; introduction of printing, 68; early cuts, 68; general characterization of the engraved work, 85; decline, 86; chiaroscuro-engraving, 87–89; influence on Holbein, 117, 118.
9. Jackson, John Baptist, 148.
10. Jegher, Christopher, 147.
11. Jerome, St., Epistles of, 70, 71.
12. Juengling, F., 195, 200.
13. Kerver, Thielman, 62.
14. King, F. S., 189, 193.
15. Kirkall, Edward, 148.
16. Kruell, G., 200.
17. Landscape, modern, 186–195.
18. Lavoignat, H., 169.
19. Le Caron, Pierre, 60.
20. Le Clerc, Jean, 139, 140.
21. Leech, John, 168.
22. Leloir, Auguste, 169.
23. Le Rouge, Pierre, 60.
24. Le Sueur, Pierre, 148.
25. Leyden, Lukas van, 110, 147.
26. Linton, W. J., 168, 176, 200.
27. Little Masters, 111.
28. Livens, Jean, 147.
29. Livres d’Heures, 60–62.
30. Lorch, Melchior, 114.
31. Lorme, Philibert de, 140.
32. Lucchesini, 148.
33. Lützelburger, Hans, 129.
34. Lyons: earliest seat of the art in France, 59; character of the earlier press, 59; the later press, 140.
35. Magazines: use and influence, 167.
36. Marchand, Guyot, 60, 62.
37. Marsh, Henry, 176, 186.
38. Maximilian, Emperor: life and character, 97; works executed by his order—the Triumphal Car, 98; Gate of Triumph, 99; the Triumphal Procession, 99–105; The Adventures of Sir Tewrdannekh, 106; The Wise King, 106; influence of his patronage, 109.
39. Mayence press, 46, 53, 55, 57.
40. Metal-engraving earlier than wood-engraving, 18.
41. Middle Ages: position of goldsmiths, 14–18; impersonal spirit, 26; value of painting, 28, 31; immobility of mind, 32; religious temper and intellectual life, 40, 41; art, typical, 53; illustrated by Dürer, 92; by Maximilian’s works, 99–105; by the Dance of Death, 121.
42. Moni, Jean, 141.
43. Nanto, Francesco da, 145.
44. Nesbit, Charlton, 164.