Page:A Landscape Painter (1919).djvu/18

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A Landscape Painter


surprise that he should have ventured to propose to a young lady of such heroic proportions. Miss Leary had the gray eyes and auburn hair which I have always assigned to the famous statue. The one defect in her face, in spite of an expression of great candor and sweetness, was a certain lack of animation. What it was besides her beauty that attracted Locksley I never discovered: perhaps, since his attachment was so short-lived, it was her beauty alone. I say that his attachment was of brief duration, because the rupture was understood to have come from him. Both he and Miss Leary very wisely held their tongues on the matter; but among their friends and enemies it of course received a hundred explanations. That most popular with Locksley's well-wishers was that he had backed out (these events are discussed, you know, in fashionable circles very much as an expected prizefight which has miscarried is canvassed in reunions of another kind) only on flagrant evidence of the lady's—what, faithlessness?—on overwhelming proof of the most mercenary spirit on the part of Miss Leary. You see, our friend was held capable of doing battle for an "idea." It must be owned that this was a novel charge; but, for myself, having long known Mrs. Leary, the mother, who was a