had invaded the veranda. The music had ceased; but on looking into the parlor he saw Miss Hofmann still at the piano. A gentleman was leaning on the instrument with his back toward the window, intercepting her face. Mason sat for some moments, hardly sensible, at first, of his transition to consciousness, languidly guessing at her companion's identity. In a short time his observation was quickened by the fact that the picture before him was animated by no sound of voices. The silence was unnatural, or, at the least, disagreeable. Mason moved his chair, and the gentleman looked round. The gentleman was Horace Knight. The Doctor called out, "Good morning!" from his place, and finished his conversation with Miss Hofmann before coming out to his patient. When he moved away from the piano, Mason saw the reason of his friends' silence. Miss Hofmann had been trying to decipher a difficult piece of music, the Doctor had been trying to assist her, and they had both been brought to a stop.
"What a clever fellow he is!" thought Mason. "There he stands, rattling off musical terms as if he had never thought of anything else. And yet, when he talks medicine, it's impossible to talk more to the point." Mason continued to be very well satisfied with Knight's intelligence of his case, and with his treatment of it. He had been in the coun-
