Page:A Landscape Painter (1919).djvu/35

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A Landscape Painter
25


tiful figure in a kind of feminine mackintosh; her feet she puts into heavy clogs, and over the whole she balances a cotton umbrella. When she comes home, with the rain-drops glistening on her red cheeks and her dark lashes, her cloak bespattered with mud, and her hands red with the cool damp, she is a profoundly wholesome spectacle. I never fail to make her a very low bow, for which she repays me with an extraordinary smile. This working-day side of her character is what especially pleases me in Miss Blunt. This holy working-dress of loveliness and dignity sits upon her with the simplicity of an antique drapery. Little use has she for whalebones and furbelows. What a poetry there is, after all, in red hands! I kiss yours, Mademoiselle. I do so because you are self-helpful; because you earn your living; because you are honest, simple, and ignorant (for a sensible woman, that is); because you speak and act to the point; because, in short, you are so unlike—certain of your sisters.


July 16th.—On Monday it cleared up generously. When I went to my window, on rising, I found sky and sea looking, for their brightness and freshness, like a clever English water-color. The ocean is of a deep purple blue; above it, the pure, bright sky looks pale, though it bends with an infinite depth over the inland horizon. Here and there on the