Page:A Landscape Painter (1919).djvu/96

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A Landscape Painter


alleviation; and forthwith began a series of visits, which in the space of some ten weeks culminated in the interview with which our narrative opens. Painfully diffident in the company of most women, Richard had not from the first known what it was to be shy with Gertrude. As a man of the world finds it useful to refresh his social energies by an occasional tête-à-tête of an hour with himself, so Richard, with whom solitude was the rule, derived a certain austere satisfaction from an hour's contact with Miss Whittaker's consoling good sense, her abundance, her decent duties and comforts. Gradually, however, from a salutary process, this became almost an æsthetic one. It was now pleasant to go to Gertrude, because he enjoyed the contagion of her own repose,—because he witnessed her happiness without a sensation of envy,—because he forgot his own entanglements and errors,—because, finally, his soul slept away its troubles beneath her varying glance, very much as his body had often slept away its weariness in the shade of a changing willow. But the soul, like the body, will not sleep long without dreaming; and it will not dream often without wishing at last to tell its dreams. Richard had one day ventured to impart his visions to Gertrude, and the revelation had apparently given her serious pain. The fact that Richard Clare (of all men in the world!) had somehow worked himself into an intimacy with Miss