is, it is rooted in remains of greater antiquity—the fallen walls of an abbey of Charlemagne's building, itself raised, the legend runs, on the site of a Roman villa which once served as the hermitage of Saint Savin, son of a Count of Barcelona.
It has been the fate of too many venerable architectural relics to sacrifice their bloom of vetusté to the scrupulous care which makes them look like conscious cossetted old ladies, of whom their admiring relatives say: "Should you ever suspect her age?"—and only in such remote monuments as that of Saint Savin does one get the sense of undisguised antiquity, of a long stolid existence exposed to every elemental influence. The result is an impression of rugged, taciturn strength, and of mysterious memories striking back, as in the holy-water basin of the transept, and the uncouth capitals of the chapter-house, to those dark days when Christian civilisation hung in the balance, and the horn of Roland sounded down the pass.
But a mediæval church is always more or less in the order of nature: there is something more incongruous about a mediæval watering-place. Yet the Pyrenees abound in them; and at Cau-
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