he tells it to himself, meanwhile. With the older child, who analyzes more definitely, this results in a re-telling which actually reproduces the teller's mode of thinking. If persisted in, it gives to one's mode of thinking, the story-mode, just as nature study gives to life the nature point of view. This mode of thinking is the mode of re-creation, of realization. It re-experiences the life, it reaches the processes of the mind, and develops free mind movement. It is a habit of thinking, and is at the basis of reading, which is thinking through symbols; at the basis of the memorization of poetry, which must first see the pictures the poet has portrayed; it is the best help toward the adult study of literature, and the narration of history and geography. It is the power to conceive a situation, which is most useful in science, mathematics, and the reasoning of logic. "For," says Professor John Dewey, "the mind which can make independent judgments, look at facts with fresh vision, and reach conclusions with simplicity, is the perennial power in the world."
This re-creative method of fundamental imitation was illustrated in the telling of Andersen's Princess and the Pea, in a student-teacher's class:—
The story was told by the Professor. After the telling of the story it was decided to have the story told again, but this time in parts and by those who had listened, in such a way that it would seem as if one person were telling the whole story.
The Professor named the first part of the story. A student was asked to tell the story from the beginning to the end of