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OUTLINE
| (3) | Delicacy is secured by selection and arrangement of words according to emotional associations | 58 | |||||
| d) | Personality | 58 | |||||
| (1) | Personality gives the charm of individuality | 58 | |||||
| (2) | Personality suggests the character of the writer | 58 | |||||
| 3) | Principles controlling the elements of form, principles of composition | 58 | |||||
| a) | The principle of sincerity | 58 | |||||
| (1) | Sincerity demands a just expression | 58 | |||||
| b) | The principle of unity | 59 | |||||
| (1) | Unity demands a central idea | 59 | |||||
| (2) | Unity demands completeness | 59 | |||||
| (3) | Unity demands no irrelevant material | 59 | |||||
| (4) | Unity demands method, sequence and climax | 59 | |||||
| c) | The principle of mass | 59 | |||||
| (1) | Mass demands that the chief parts readily catch the eye | 59 | |||||
| (2) | Mass demands harmonious proportion of parts | 59 | |||||
| d) | The principle of coherence | 59 | |||||
| (1) | Coherence demands unmistakable relation of parts | 59 | |||||
| (2) | Coherence demands this unmistakable relation be preserved by the order, forms and connections | 59 | |||||
| 4) | Form characterized by perfect adaptation of words to thought and feeling is called style | 53 | |||||
| a) | Style demands that form possess the four general qualities of form in perfection: precision, energy, delicacy, and personality | 59 | |||||
| b) | Style demands that form have its elements controlled by the four general principles: sincerity, unity, mass, and coherence | 59 | |||||
