Page:A Study of Fairy Tales.djvu/46

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A STUDY OF FAIRY TALES

Humor is the charm, too, of Andersen's Snow Man. Here the child can identify himself with the Dog and thereby join in the sport which the Dog makes at the Snow Man's expense, just as if he himself were enlightening the Snow Man about the Sun, the Moon, and the Stove. There is most delightful humor in The Cat and the Mouse in Partnership, where the Cat has the face to play upon the credulity of the poor housekeeper Mouse, who always "stayed at home and did not go out into the daytime." Returning home from his ventures abroad he named the first kitten Top-Off, the second one Half-Out, and the third one All-Out; while instead of having attended the christening of each, as he pretended, he secretly had been visiting the jar of fat he had placed for safe-keeping in the church.

Poetic justice. Emotional satisfaction and moral satisfaction based on emotional instinct appeal to the child. He pities the plight of the animals in the Bremen Town Musicians, and he wants them to find a refuge, a safe home. He is glad that the robbers are chased out, his sense of right and wrong is satisfied. Poetic justice suits him. This is one reason why fairy tales make a more definite impression often than life—because in the tale the retribution follows the act so swiftly that the child may see it, while in life "the mills of the gods grind slowly," and even the adult who looks cannot see them grind. The child wants Cinderella to gain the reward for her goodness; and