a just reward. The Town Musicians of Bremen exhibits vivid emotion, for all four characters are in the same desperate danger of losing life, all four unite to save it, and to find a home. Andersen's Steadfast Tin Soldier is a good example of steadiness of emotion, as it maintains throughout its message of courage. The Tin Soldier remained steadfast, whether on the table just escaped from the toy-box, or in the street after a frightful fall from the window, or spinning in a paper boat that bobbed, or sailing under the crossing, or lying at full length within the fish that swallowed him, or at last melting in the full glare of the hearth fire. It is a very good example, too, of vividness of emotion. The Little Elves illustrates steadiness of emotion, it is pervaded by the one feeling, that industry deserves reward. The French tale, Drakesbill, is especially delightful and humorous because "Bill Drake" perseveres in his happy, fresh vivacity, at the end of every rebuff of fortune, and triumphantly continues his one cry of, "Quack, quack, quack! When shall I get my money back?" Lambikin leaves the one distinct impression of light gaiety and happy-heartedness; and The Foolish, Timid Rabbit preserves steadily the one effect of the credulity of the animals, made all the more prominent by contrast to the wisdom of the Lion. Variety of emotion appears in tales such as Cinderella, Little Two-Eyes, Sleeping Beauty, and Three Pigs, where the various characters are drawn distinctly and their contrasting traits pro-
