Page:A Treatise on Painting.djvu/129

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ANATOMY.
21

into three principal portions, by transverse tendinous intersections or ligaments, viz. the superior part, and a ligament; the second part, with its ligaments; and the third part, with the third ligament; which last unites by tendons to the Os pubis. These divisions and intersections of the same muscle are intended by nature to facilitate the motion when the body is bent or distended. If it were made of one piece, it would produce too much variety when extended, or contracted, and also would be considerably weaker. When this muscle has but little variety in the motion of the body, it is more beautiful[1].

Chap. XLVIII.Of a Man’s complex Strength, but first of the Arm.

The muscles which serve either to straighten or bend the arm, arise from the different processes of the Scapula; some of them from the protuberances of the Humerus, and others about the middle of the Os humeri. The extensors of the arm arise from behind, and the flexors from before.

That a man has more power in pulling than in pushing, has been proved by the ninth proposition De Ponderibus[2], where it is said, that of two equal

  1. Anatomists have divided this muscle into four or five sections; but painters, following the ancient sculptors, shew only the three principal ones; and, in fact, we find that a greater number of them (as may often be observed in nature) gives a disagreeable meagreness to the subject. Beautiful nature does not shew more than three, though there may be more hid under the skin.
  2. A treatise on weights, like many others, intended by this author, but never published.
C3
weights,