Chap. CCXL.—No Object appears in its true Colour, unless the Light which strikes upon it be of the same Colour.
This is very observable in draperies, where the light folds casting a reflexion, and throwing a light on other folds opposite to them, make them appear in their natural colour. The same effect is produced by gold leaves casting their light reciprocally on each other. The effect is quite contrary if the light be received from an object of a different colour[1].
Chap. CCXLI.—Of the Colour of Shadows.
The colour of the shadows of an object can never be pure if the body which is opposed to these shadows be not of the same colour as that on which they are produced. For instance, if in a room, the walls of which are green, I place a figure clothed in blue, and receiving the light from another blue object, the light part of that figure will be of a beautiful blue, but the shadows of it will become dingy, and not like a true shade of that beautiful blue, because it will be corrupted by the reflexions from the green wall; and it would be still worse if the walls were of a darkish brown.
Chap. CCXLII.—Of Colours.
Colours placed in shadow will preserve more or less of their original beauty, as they are more or less immersed in the shade. But colours situated in a light space will shew their natural beauty in proportion to the brightness of that light. Some say,
- ↑ See chap. ccxxxvii.
