also white, and the other black, there will be found between the shady side of that object and the light side, a similar proportion to that of the two walls; and if that object be blue, the effect will be the same. Having therefore to paint this object, take some black, similar to that of the wall from which the reflexes come; and to proceed by a certain and scientific method, do as follows. When you paint the wall, take a small spoon to measure exactly the quantity of colour you mean to employ in mixing your tints; for instance, if you have put in the shading of this wall three spoonfuls of pure black, and one of white, you have, without any doubt, a mixture of a certain and precise quality. Now having painted one of the walls white, and the other dark, if you mean to place a blue object between them with shades suitable to that colour, place first on your pallet the light blue, such as you mean it to be, without any mixture of shade, and it will do for the lightest part of your object. After which take three spoonfuls of black, and one of this light blue, for your darkest shades. Then observe whether your object be round or square: if it be square, these two extreme tints of light and shade will be close to each other, cutting sharply at the angle; but if it be round, draw lines from the extremities of the walls to the centre of the object, and put the darkest shade between equal angles, where the lines intersect upon the superficies of it; then begin to make them lighter and
