Page:A Treatise on Painting.djvu/293

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CONTRASTE, HARMONY, AND REFLEXES.
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but vary in point of light, according to the distance and interposition of the air between them. By the same rule, the outlines are to be more precise, or lost, in proportion to their distance or proximity.

Chap. CCLXXIII.Of the Colour of Reflexes.

All reflected colours are less brilliant and strong, than those which receive a direct light, in the same proportion as there is between the light of a body and the cause of that light.

Chap. CCLXXIV.What Body will be the most strongly tinged with the Colour of any other Object.

An opake surface will partake most of the genuine colour of the body nearest to it, because a great quantity of the species of colour will be conveyed to it; whereas such colour would be broken and disturbed if coming from a more distant object.

Chap. CCLXXV.Of Reflexes.

Reflexes will partake, more or less, both of the colour of the object which produces them, and of the colour of that object on which they are produced, in proportion as this latter body is of a smoother or more polished surface, than that by which they are produced.

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Chap.