Page:A Treatise on Painting.djvu/360

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TABLE OF CHAPTERS.
Chap.
14. The Danger of forming an erroneous Judgment in regard to the Proportion and Beauty of the Parts. 42.
15. Another Precept. 12.
16. The Manner of drawing from Relievos, and rendering Paper fit for it. 127.
17. Of drawing from Casts or Nature. 31.
18. To draw Figures from Nature. 38.
19. Of drawing from Nature. 25.
20. Of drawing Academy Figures. 30.
21. Of studying in the Dark, on first waking in the Morning, and before going to sleep. 17.
22. Observations on drawing Portraits. 188.
23. The Method of retaining in the Memory the Likeness of a Man, so as to draw his Portrait, after having seen him only once. 189.
24. How to remember the Form of a Face. 190.
25. That a Painter should take Pleasure in the Opinion of every Body. 19.

ANATOMY.

26. What is principally to be observed in Figures. 213.
27. Mode of Studying. 7.
28. Of being universal. 22.
29. A Precept for the Painter. 5.
30. Of the Measures of the human Body, and the bending of Members. 174.
31. Of the small Bones in several Joints of the human Body. 229.
32. Memorandum to be observed by the Painter. 57.
33. The Shoulders. 171.
34. The Difference of Joints between Children and grown Men. 168.
1
35.