| 129.
|
Variety in Figures.
|
21.
|
| 130.
|
How a Painter ought to proceed in his Studies.
|
6.
|
| 131.
|
Of sketching Histories and Figures.
|
13.
|
| 132.
|
How to study Composition.
|
96.
|
| 133.
|
Of the Attitudes of Men.
|
216.
|
| 134.
|
Variety of Positions.
|
217.
|
| 135.
|
Of Studies from Nature for History.
|
37.
|
| 136.
|
Of the Variety of Figures in History Painting.
|
94.
|
| 137.
|
Of Variety in History.
|
97.
|
| 138.
|
Of the Age of Figures.
|
252.
|
| 139.
|
Of Variety of Faces.
|
98.
|
| 140.
|
A Fault in Painters.
|
44.
|
| 141.
|
How you may learn to compose Groups for History Painting.
|
90.
|
| 142.
|
How to study the Motions of the human Body.
|
95.
|
| 143.
|
Of Dresses, and of Draperies and Folds.
|
358.
|
| 144.
|
Of the Nature of Folds in Draperies.
|
359.
|
| 145.
|
How the Folds of Draperies ought to be represented, Plate XVIII.
|
360.
|
| 146.
|
How the Folds in Draperies ought to be made.
|
361.
|
| 147.
|
Fore-shortening of Folds, Plate XIX.
|
362.
|
| 148.
|
Of Folds.
|
364.
|
| 149.
|
Of Decorum.
|
251.
|
| 150.
|
The Character of Figures in Composition.
|
253.
|
| 151.
|
The Motion of the Muscles, when the Figures are in natural Positions.
|
193.
|
| 152.
|
A Precept in Painting.
|
58.
|
| 153.
|
Of the Motion of Man, Plate XX. and XXI.
|
182.
|
| 154.
|
Of Attitudes, and the Motions of the Members.
|
183.
|
| 155.
|
Of a single Figure separate from an historical Group.
|
212.
|
| 156.
|
On the Attitudes of the human Figure.
|
218.
|
| 157.
|
How to represent a Storm.
|
66.
|
| 158.
|
How to compose a Battle.
|
67.
|
