Page:A Treatise on Painting.djvu/40

From Wikisource
Jump to navigation Jump to search
This page has been validated.
xxx
THE LIFE OF

that nothing remained to the completion of the picture but the heads of our Saviour and Judas; that as to the former, he had not yet been able to find a fit model to express its divinity, and found his invention inadequate of itself to represent it: that with respect to that of Judas, he had been in vain for two years searching among the most abandoned and profligate of the species for an head which would convey an idea of his character; but that this difficulty was now at length removed, since he had nothing to do but to introduce the head of the Prior, whose ingratitude for the pains he was taking, rendered him a fit archetype of the perfidy and ingratitude he wished to express. Some persons have said [1], that the head of Judas in the picture was actually copied from that of the Prior; but Mariette denies it, and says this reply was merely intended as a threat[2].

A difference of opinion has also prevailed concerning the head of our Saviour in this picture; for some have conceived it left intentionally unfinished[3], while others think there is a

  1. De Piles, in the Life of Leonardo. See Lettere Pittoriche, vol. ii. p. 187.
  2. Lettere Pittoriche, vol. ii. p. 187.
  3. Du Fresne. Lettere Pitt. vol. ii. p. 186.
gradation