For a day or two after the little episode of the stone lion Kenwick succeeded in cutting Geof out, as he termed it, very neatly, by the simple device of interesting May in a certain sketch which she undertook at his suggestion. The subject was a common enough one in Venice; a tranquil rio between ruinous walls,—here, a bit of quaint mediæval sculpture,—there, a splash of verdure over the arch of a gateway,—a pointed church tower in remote perspective. The clever craftsman found no difficulty in inventing reasons why a similar combination of advantages was not to be found elsewhere. In his own mind he was perfectly well aware that he chose it because the proper point of view was only to be obtained by disembarking and planting the easels on a bit of quay that stopped abruptly in front of a deserted house. Here, in this isolated position, the two painted together for three successive afternoons, and Kenwick, by dint of a judicious combination of encouragement
