fully collected, placed in one uniform point of view, and polished with diligent acuteness. In a manner the most plain and satisfactory, he lias described the first origin of states, their progressive political advances, and how they differed from each other. Those fabulous inventions with which Greece has encumbered history, lie explains and refutes. Philosophy owes him much. He has confuted all those systems which were wild and extravagant, and removed the difficulties from such as were in their operation subservient to religious piety. But he has in particular confirmed and dignified with every assistance of solid argument, whatever tended to serve the great truths of revelation. Much, however, as he has been involved in the gloom of ancient times, he in no one instance assumes the character of a cold unfeeling antiquary; he never employs his talents upon those intricate and useless questions in endeavouring to explain which many luckless and idle theologists torment themselves and lose their labour. The style of Bellendenus, in this performance, is perspicuous, and elegant without affectation. The different parts of the work are so well and so judiciously disposed, that we meet with nothing harsh and dissonant, no awkward interval or interruption, nothing placed where it ought not to remain."[1]
All these three works namely, the "Princeps," the "Consul," and the "De Statu Prisci Orbis," were republished in 1616, in a united form, under the general title, "De Statu, Libri Tres." Prince Henry being now dead, the whole work was dedicated anew to his surviving brother Charles; a circumstance which afforded the author an opportunity of paying an ingenious compliment to the latter prince:
Uno avulso non deficit alter,
Aureus, et simili frondescit virga metallo.
Of the justness of this eulogy the politician may have some doubt, but the man of feeling will be captivated by its elegance and pathos.
The last work which Bellenden himself published is of very small extent, consisting merely of two short poems: "Caroli Primi et Henricas Marine, Regis et Keginae Magnae Britannise," &c. "Epithalamium; et in ipsas augustissimas nuptias, Panegyricum Carmen et Elogia." Paris, 1675, 4to. It would appear that Bellenden did not soon forget the kind patronage which he had experienced from King James, but transferred his gratitude, with his loyalty, to the descendants of that prince. This is the only known specimen of Bellenden's efforts in poetry.
The "De Statu, Libri Tres," which perhaps were never very extensively diffused, had latterly become so extremely scarce, as only to be known by name to the most of scholars. From this obscurity, the work was rescued in 1787, by Dr Samuel Parr, the most eminent British Latinist of modern times. Dr Parr republished it in an elegant form, with a preface, which, though embracing a singular jumble of subjects, and not free from the charge of pedantry, is justly looked upon as one of the most admirable specimens of modern Latin which we possess. Imitating the example of Bellendenus, who prefixed a dedication to each of his three books, the learned editor inscribed them anew to three great men of modern times, Edward Burke, Lord North, and Charles James Fox, who were then the leaders of his own party in British politics. In the preface, he introduced a high allegorical eulogy upon these statesmen, which was admired as a singularly nervous piece of composition, though there were, of course, different opinions as to the justness of the panegyric. He also exposed the plagiary which Middleton, in composing his "Life of Cicero," had committed upon the splendid stores of Bellenden.
While Bellenden was employed in writing his tripartite work, "De Statu," he
- ↑ Parr's Preface
