would probably afford the best means of explaining both. A contemporary of Blacklock, the author of the "Wealth of Nations," was in the habit, when awake, of doing things as unaccountable as the blind poet is above stated to have done when asleep.
In 1764, after the connexion between him and the parish of Kirkcudbright was dissolved in the manner we have mentioned, Blacklock removed to Edinbur"-h, where he received boarders into his house,[1] superintending the studies of those who chose to have such assistance. "In this occupation," says Mackenzie, "no teacher was perhaps ever more agreeable to his pupils, nor master of a family to its inmates, than Dr Blacklock. The gentleness of his manners, the benignity of his disposition, and that warm interest in the happiness of others which led him so constantly to promote it, were qualities that could not fail to procure him the love and regard of the young people committed to his charge; while the society which esteem and respect for his character and his genius often assembled at his house, afforded them an advantage rarely to be found in establishments of a similar kind. The writer of this account has frequently been witness of the family scene at Dr Blacklock's; has seen the good man amidst the circle of his young friends, eager to do him all the little offices of kindness which lie seemed so much to merit and to feel. In this society he appeared entirely to forget the privation of sight, and the melancholy which, at other times, it might produce. He entered with the cheerful playfulness of a young man into all the sprightly narrative, the sportful fancy, the humorous jest, that rose around him. It was a sight highly gratifying to philanthropy to see how much a mind endowed with knowledge, kindled by genius, and above all, lighted up with innocence and piety, like Blacklock's, could overcome the weight of its own calamity, and enjoy the content, the happiness, the gaiety of others. Several of those inmates of Dr Blacklock's house retained, in future life, all the warmth of that impression which his friendship at this early period had made upon them; and in various quarters of the world he had friends and correspondents from whom no length of time, or distance of place, had ever estranged him."
In these hours of social relaxation, Blacklock found one of the greatest pleasures of his existence. Music also afforded him a lively gratification; for he sung with taste, and performed tolerably well on several instruments, particularly on the flute. He had learned to play on the flageolet in consequence of a dream in which he supposed himself to listen to the most enchanting melody, produced by a shepherd on a hillside from that instrument; and he always carried one in his pocket, on which he was by no means averse from being asked to perform, "a natural feeling," says Mackenzie, "for a blind man, who thus adds a scene to the drama of his society." We have already alluded to his skill in composition, which was begun early at least, if it was not very assiduously cultivated. There is a specimen of his abilities in this way in the Edinburgh Magazine and Review for 1774, under the title of "Absence, a Pastoral, set to music, by Dr Blacklock."
Blacklock's friendship with Beattie commenced about a year after his return from Kirkcudbright to Edinburgh. The first letter from the opponent of Hume, dated in 1765, expresses satisfaction that the present of a copy of our author's poems had at last afforded the opportunity of establishing an acquaintance. The correspondence was for some time kept up with great regularity by Beattie, who, when the composition of the "Minstrel" had not advanced beyond a few stanzas, explained his plan to the blind bard. The progress of a work of still greater importance was confided to Blacklock. The "Essay on the Immutability of
- ↑ He occupied the two upper flats of a house at the west end of West Nicolson Street, looking towards St Cuthbert's Chapel of Ease burying ground.
