the purple is being woven, which is subjected to the Tyrian brazen vessel, and fine shades of minute difference; just as the rainbow, with its mighty arch, is wont to tint a long tract of sky by means of the rays reflected by the shower; in which, though a thousand different colours are shining, yet the very transition eludes the eyes that look upon it . . . There, too, the pliant gold is mixed with the threads."—Ovid.
Their canvases wrought, then did Athené and Arachne hasten to cover them with pictures such as no skilled worker of tapestry has ever since dreamed of accomplishing. Under the fingers of Athené grew up pictures so real and so perfect that the watchers knew not whether the goddess was indeed creating life. And each picture was one that told of the omnipotence of the gods and of the doom that came upon those mortals who had dared in their blasphemous presumption to struggle as equals with the immortal dwellers in Olympus. Arachne glanced up from her web and looked with eyes that glowed mth the love of beautiful things at the creations of Athené. Yet, undaunted, her fingers still sped on, and the goddess saw, with brow that grew yet more clouded, how the daughter of Idmon the dyer had chosen for subjects the tales that showed the weaknesses of the gods. One after another the living pictures grew beneath her hand, and the nymphs held their breath in mingled fear and ecstasy at Arachne's godlike skill and most arrogant daring. Between goddess and mortal none could have chosen, for the colour and form and exquisite fancy of the pictures of the daughter of Zeus were equalled, though not excelled, by those of the daughter of the dyer of Colophon.
