LATONA AND THE RUSTICS
Through the tropic nights their sonorous, bell-like booming can be heard coming up from the marshes, and when they are unseen, the song of the bull-frogs would suggest creatures full of solemn dignity. The croak of their lesser brethren is less impressive, yet there is no escape from it on those evenings when the dragon-flies' iridescent wings are folded in sleep, and the birds in the branches are still, when the lilies on the pond have closed their golden hearts, and even the late-feeding trout have ceased to plop and to make eddies in the quiet water. "Krroak! krroak! krroak!" they go—"krroak! krroak! krroak!"
It is unceasing, unending. It goes on like the whirr of the wheels of a great clock that can never run down—a melancholy complaint against the hardships of destiny—a raucous protest against things as they are.
This is the story of the frogs that have helped to point the gibes of Aristophanes, the morals of Æsop, and which have always been, more or less, regarded as the low comedians of the animal world.
Latona, or Leto, was the goddess of dark nights, and upon her the mighty Zeus bestowed the doubtful favour of his errant love. Great was the wrath of Hera, his queen, when she found that she was no longer the
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