Hall' makes a grand error, which is quite high science: he says that Laplace proved the precession of the equinoxes to be a periodical inequality. He should have said the variation of the obliquity. But the finest instance is the following:—Mr. Warren, in his well-wrought tale of the martyr-philosopher, was incautious enough to invent the symbols by which his savant satisfied himself Laplace was right on a doubtful point. And this is what he put together—
Now, to Diderot and the mass of mankind this might be Laplace all over: and, in a forged note of Pascal, would prove him quite up to gravitation. But I know of nothing like it, except in the lately received story of the American orator, who was called on for some Latin, and perorated thus:—'Committing the destiny of the country to your hands, Gentlemen, I may without fear declare, in the language of the noble Roman poet,
Multum in parvo,
Ultima Thule,
Sine qua non.'
But the American got nearer to Horace than the martyr-philosopher to Laplace. For all the words are in Horace, except Thule, which might have been there. But is not a symbol wanted by Laplace; nor can we see how it could have been: in fact, it is not recognized in algebra. As to the junctions, &c., Laplace and Horace are about equally well imitated.
Further thanks for Mr. Smith's letters to you of Oct. 15, 18, 19, 28, and Nov. 4, 15. The last of these letters has two curious discoveries. First, Mr. Smith declares that he has seen the editor of the Athenæum: in several previous letters he mentions a name. If he knew a little of journalism he would be aware that editors are a peculiar race, obtained by natural selection. They are never seen, even by their officials; only heard down a pipe. Secondly, 'an ellipse or oval' is composed of four arcs of circles. Mr. Smith has got hold of the construction I was taught, when a boy, for a pretty four-arc oval. But my teachers knew better than to call it an ellipse: Mr. Smith does not; but he produces from it such confirmation of 318 as would convince any honest editor.
Surely the cyclometer is a Darwinite development of a spider, who is always at circles, and always begins again when his web is brushed away. He informs you that he has been privileged to discover truths unknown to the scientific world. This we know; but he proceeds to show that he is equally fortunate in art. He goes on to say that he will make use of you to bring those truths to light, 'just as an artist makes use of a dummy for the purpose of arranging his drapery.' The
