are mainly indebted for the following particulars. Miss Cushman was born at Boston; she was the eldest of five children, who, by the death of their father, were left, when young, dependent on the care and instruction of their mother, who appears to have faithfully and efficiently performed the heavy duties which thus devolved upon her. Charlotte, when quite a child, was remarkable, we are told, for her grave and earnest character, indicative of that stedfast self-reliance which she afterwards manifested. She inherited from her mother a fine voice, and good musical taste and ability, and this her parent resolved to cultivate as far as her means permitted; these were, however, very limited, and but for the assistance of a gentleman of wealth and taste, who chanced to hear Miss Cushman sing at a concert, her musical talents might have remained undeveloped for lack of sufficient cultivation. She was through the instrumentality of this friend, articled for three years to a competent teacher; and before the time had expired, we find her singing in a concert with Mrs. Wood, formerly Miss Paten, who was so delighted and astonished with her voice, that she declared it to be the finest contralto she ever heard, and strongly advised her to turn her attention to singing for the stage. To this her friends greatly opposed; the advice was, however, followed, and Charlotte Cushman came out as a public singer in the character of the Countess in the "Marriage of Figaro," at the age of nineteen years.
Her success was so decided that she was immediately engaged as prima donna for a new theatre, which had been erected at New Orleans, whither she repaired. Here, previous to her public appearance, a great misfortune befel her in the loss of her vocal powers, owing partly, it is supposed, to the change of climate, and partly to the severe practice necessary to fit her for the arduous parts she was to undertake. In. this strait what was to be done? One avenue to fame and fortune closed, she determined to try another; in accordance with the advice of the tragedian of the theatre, "a noble-hearted man and a fine scholar," who it seems appreciated her yet untried talent for acting, she commenced privately, and under his direction, the course of study necessary to fit her for the stage; and to the utter astonishment of every one connected with the theatre, was announced to perform Lady Macbeth on her friend's benefit night. In the face of great discouragement and numerous obstacles, she made her appearance in this difficult character, and achieved a complete triumph; the performance was repeated many nights, and her fame, in New Orleans at least, was established as a great tragic actress.
She went to New York, full of hope and enthusiasm, sent for her family to reside with her, and entered into an engagement for a term of three years at one of the theatres there. But now again misfortune overtook her; she was siezed with an illness which completely prostrated her strength for a while; and just as she was recovering from this, and was able to commence the fulfilment of her engagement, the theatre was burnt down, and she lost all her theatrical wardrobe. She had entered, too, on her duties before her strength was equal to the immense exertion, both mental and physical, which they entailed; her illness returnied, and "thus was she left penniless, without an engagement, on a bed of sickness, with her family dependent upon her." Included in this circle of depend-
