pedestal. The palace of the monarch was the structure that absorbed the best efforts of the Persian artist.
In imitation of the inhabitants of the valley of the Euphrates, the Persian kings raised their palaces upon lofty terraces, or platforms. But upon the table-lands they used stone instead of adobe or brick, and at Persepolis, raised, for the substruction of their palaces, an immense platform of massive masonry, which is one of the most wonderful monuments of the world's ancient builders. This terrace, which is uninjured by the 2300 years that have passed since its erection, is about 1500 feet long, 1000 feet wide, and
40 feet high. The summit is reached by broad stairways of stone, pronounced by competent judges the finest work of the kind that the ancient or even the modern world can boast.
Surmounting this platform are the ruins of the palaces of several of the Persian monarchs, from Cyrus the Great to Artaxerxes Ochus. These ruins consist chiefly of walls, columns, and great monolithic door- and window-frames. Colossal winged bulls, copied from the Assyrians, stand as wardens at the gateway of the ruined palaces.
