CHAPTER XIX.
GREEK LITERATURE.
i. Epic and Lyric Poetry.
The Greeks as Literary Artists.—It was that same exquisite sense of fitness and proportion and beauty which made the Greeks artists in marble that also made them artists in language. "Of all the beautiful things which they created," says Professor Jebb, "their own language was the most beautiful." This language they wrought into epics, lyrics, dramas, histories, and orations as incomparable in form and beauty as their temples and statues.
The Homeric Poems.—The earliest specimens of Greek poetry are the so-called " Homeric poems," consisting of the Iliad and the Odyssey. The subject of the Iliad (from Ilios, Troy) is the "Wrath of Achilles." The Odyssey tells of the long wanderings of the hero Odysseus (Ulysses) up and down over many seas while seeking his native Ithaca, after the downfall of Ilios. These poems exerted an incalculable influence upon the literary and religious life of the Hellenic race.
The Iliad must be pronounced the world's greatest epic. It has been translated into all languages, and has been read with an ever fresh interest by generation after generation for nearly 3000 years. Alexander, it is told, slept with a copy beneath his pillow,—a copy prepared especially for him by his preceptor Aristotle, and called the "casket edition," from the jewelled box in which Alexander is said to have kept it. We preserve it quite as sacredly in all our courses of classical study. The poem has made warriors as well as poets. It incited the military ambition of Alexander, of Hannibal, and of Cæsar; it inspired Virgil, Dante, and Milton. All epic writers have taken it as their model.
