The happy experiment of grafting Turkish roses upon English boxwood led up to some curious complications, not the least of which was the necessity of stiffening the moral fibre of the Orient—which was esteemed to be but lax—until it could bear itself in seemly fashion before English eyes. The England of 1817 was not, like the England of 1908, prepared to give critical attention to the decadent. It presented a solid front of denial to habits and ideas which had not received the sanction of British custom; which had not, through national adoption, become part of the established order of the universe. The line of demarcation between Providence and the constitution was lightly drawn. Jeffrey, a self-constituted arbiter of tastes and morals, assured his nervous countrymen that, although Moore's verse was glowing, his principles were sound.
"The characters and sentiments of 'Lalla Rookh' belong to the poetry of rational, honourable, considerate, and humane Europe; and not to the childishness, cruelty, and profligacy of Asia. So far as we have yet seen, there is no sound sense, firmness of purpose, or princi-
