partly also in elevated prose. They cover a period of two centuries, from about 350 to 550 A.D. Most of them employ the Gupta era, beginning A.D. 319, and first used by Chandragupta II., named Vikramāditya, whose inscriptions and coins range from A.D. 400 to 413. A few of them employ the Mālava era, the earlier name of the Vikrama era, which dates from 57 B.C. Several of these inscriptions are praçastis or panegyrics on kings. An examination of them proves that the poetical style prevailing in the fourth, fifth, and sixth centuries did not differ from that of the classical Kāvyas which have been preserved. Samudragupta, the second of the Gupta line, who belongs to the second half of the fourth century, was, we learn, himself a poet, as well as a supporter of poets. Among the latter was at least one, by name Harisheṇa, who in his panegyric on his royal patron, which consists of some thirty lines (nine stanzas) of poetry and about an equal number of lines of prose, shows a mastery of style rivalling that of Kālidāsa and Daṇḍin. In agreement with the rule of all the Sanskrit treatises on poetics, his prose is full of inordinately long compounds, one of them containing more than 120 syllables. In his poetry he, like Kālidāsa and others, follows the Vidarbha style, in which the avoidance of long compounds is a leading characteristic. In this style, which must have been fully developed by A.D. 300, is also written an inscription by Vīrasena, the minister of Chandragupta II., Samudragupta's successor.
A very important inscription dates from the year 529 of the Mālava (Vikrama) era, or A.D. 473. It consists of a poem of no fewer than forty-four stanzas (containing 150 metrical lines), composed by a poet named Vatsabhaṭṭi, to commemorate the consecration of a temple
