They differ much from each other in the degree of praise which they award, and I think also it may be said, in the ability with which they are written. The first bestows some approval, but the other ex- presses the warmest admiration. One can scarcely be satisfied with the critical acumen of the former writer, who, in treating of 'Sense and Sensibility,' takes no notice whatever of the vigour with which many of the characters are drawn, but declares that 'the interest and merit of the piece depends altogether upon the behaviour of the elder sister!' Nor is he fair when, in 'Pride and Prejudice,' he represents Elizabeth's change of sentiments towards Darcy as caused by the sight of his house and grounds. But the chief discrepancy between the two reviewers is to be found in their appreciation of the commonplace and silly characters to be found in these novels. On this point the difference almost amounts to a contradiction, such as one sometimes sees drawn up in parallel columns, when it is desired to convict some writer or some statesman of inconsistency. The Reviewer, in 1815, says: 'The faults of these works arise from the minute detail which the author's plan comprehends. Characters of folly or simplicity, such as those of old Woodhouse and Miss Bates, are ridiculous when first presented, but if too often brought forward, or too long dwelt on, their prosing
