sword, and the lady was armed with a fan of nearly equal dimensions. Addison observes that women are armed with fans, as men with swords, and sometimes do more execution with them.' The graceful carriage of each weapon was considered a test of high breeding. The clownish man was in danger of being tripped up by his sword getting between his legs: the fan held clumsily looked more of a burden than an ornament; while in the hands of an adept it could be made to speak a language of its own.[1] It was not everyone who felt qualified to make this public exhibition, and I have been told that those ladies who intended to dance minuets, used to distinguish themselves from others by wearing a particular kind of lappet on their head-dress. I have heard also of another curious proof of the respect in which this dance was held. Gloves immaculately clean. were considered requisite for its due performance, while gloves a little soiled were thought good enough for a country dance; and accordingly some prudent ladies provided themselves with two pairs for their several purposes. The minuet expired with the last century but long after it had ceased to be danced publicly it was taught to boys and girls, in order to give them a graceful carriage.
- ↑ See 'Spectator,' No. 102, on the Fan Exercise. Old gentlemen who had survived the fashion of wearing swords were known to regret the disuse of that custom, because it put an end to one way of dis- tinguishing those who had, from those who had not, been used to good society. To wear the sword easily was an art which, like swimming and skating, required to be learned in youth. Children could practise it early with their toy swords adapted to their size.
