occasion the ground-glass shades had a little
rouge shaken about in the interior, that the
white gaslight might not be too unfavorable
to the complexion of the beauties below.
Whether this device is still thought necessary
in ballrooms I do not know; but I suggest
it as a hint to the wise.
A handsome parlor then, differed from a handsome parlor now, mostly in the minor matters of decoration. The pictures on the walls were few, and were mostly portraits. For the rest, mirrors were large and handsome. You would see some copies from well-known paintings in European galleries, and any one who had an Allston would be glad to show it. But I mean that most walls were bare. In good houses, if modern, the walls of parlors would invariably be painted of one neutral tint; but in older houses there would be paper hangings, perhaps of landscape patterns. The furniture of a parlor would generally be twelve decorous heavy chairs, probably hair-seated, with their backs against the walls; a sofa which matched them, also with its back against the wall; and a heavy,
