by the horny eye and the callous finger of a pedant. "I am ill at these numbers"; those in which I have sought to become an expert are numbers of another sort; but having, from wellnigh the first years I can remember, made of the study of Shakespeare the chief intellectual business and found in it the chief spiritual delight of my whole life, I can hardly think myself less qualified than another to offer an opinion on the metrical points at issue.
The progress and expansion of style and harmony in the successive works of Shakespeare must in some indefinite degree be perceptible to the youngest as to the oldest, to the dullest as to the keenest of Shakespearean students. But to trace and verify the various shades and gradations of this progress, the ebb and flow of alternate influences, the delicate and infinite subtleties of change and growth discernible in the spirit and the speech of the greatest among poets, is a task not less beyond the reach of a scholiast than beyond the faculties of a child. He who would attempt it with any chance of profit must above all things remember at starting that the inner and the outer qualities of a poet's work are of their very nature indivisible; that any criticism is of
