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particles of the white lead, &c. to the great detriment of his stomach and lungs; which, indeed, he is obliged to relieve by frequent emetics. The articles are next placed in the glaze kiln, and remain there twenty-eight hours exposed to the fire; which being extinguished, the whole are suffered gradually to cool, and then taken out, when they exhibit a wonderful metamorphosis, effected by the chemical agency of fire. A vitrification having taken place on their surface, a beautiful glossy covering discovers itself within and without, in the room of the dull unpolished appearance they before had; and the figures of purple are converted into a vivid and beautiful blue. After passing through the sorting-room, they are given to the painters, who with colours properly and nicely prepared (for the hues are all changed by a subsequent firing) trace those beautiful patterns, figures, and landscapes, upon them, which almost rival the force and effect of the canvas. Again they are placed in the kiln, in order to fix the colours, and remain there for six hours. This compleats the process of such articles as have no gold in their pattern; but those which are ornamented with this superb addition, undergo another burning after the enamel is laid on. They are also carried afterwards into the burnishing shop, where this final decoration is given them by a
