regard. A young maiden sits in quiet contemplation of her several pets—a parrot, cat, gold fish, and Guinea keats. Her hands are folded, and she occupies an arm chair, that looks as though it had been made for some gouty old gentleman. All of Barnum's museum has not as much value in the eyes of this little girl as her miniature possessions. No. 63. Dog and Parrots, by F. Lachenwitez, 1847. The birds have left the imprisonment of wires, and seem to be in a sort of chatty ire with the dog, who has laid down facing the open door of the cage, looking very much like an august owner or dictator. Their talking and barking therefore leave us no voice to settle the dispute, and we pass on to No. 64. Return from Market, by W. Brown. This English artist has represented a country inn with an old fashioned door, over whose slanting canopy is hung as an advertising sign, a picture of the mighty bard, entitled "The Shakspeare Inn." There are three on horseback, one of the men (doubtless the proprietor) bringing with him a heaping basket of supplies which he hands over to a woman of the house. The love of newspaper intelligence is shown by the eager individual who has siezed upon a "daily," and is devouring the contents. Let us note his dress and attitude!—a low dumped hat, light coat, shrunken bottle-green breeches, and feet turned out at an alarming degree; (in short, his legs describe a parenthesis,) and his face puckered as if under the influence of persimmons. We wonder if he ever had a sweetheart, or if he will not be brought up in a divorce suit should he marry? There are two dogs, one a specimen of fierce energy, and the other looking lazy enough to have been asleep a hundred years. The horses are spirited enough to have us stroke their manes and say a kind word to them. No. 65. Great Falls of the
