No. 84. Ball Flaying among the Sioux Indians, by Captain Seth Eastman, U. S. A. In this game may not the red man be more happy than when he flourishes his tomahawk in quest of scalps? If such amusements could the more frequently fill up the hours of these brothers of the forest, many a misguided thought of passion and evil deed might be checked. No. 85. Farm House by George Moreland. This rustic scene must be studied in all of its excellent points, as the work of one of the most celebrated painters of the English school. How happy looks the old countryman who returns home well provisioned, but the brightest reward for him is the welcoming smile upon the faces of his family. Who can dispute that a cottage sometimes ranks above a palace in the content that reigns undisturbed? No. 86. Leisure and Labor, by F. B. Mayer, 1853. Here we see the interior of a blacksmith shop. The owner is busy at his work shoeing a fine looking horse, and leisurely leaning against the doorway is a tall sapling-like fellow, wearing a broad brimmed hat, various colored clothing, and characteristically thrusting his hands in his pockets. His graceful greyhound at his side is very erect, and looks with as much wonder as his master at mechanical industry. On the outside of the shop is a comical sign with a cadaverous figure of old Time, making long strides with his skeleton limbs, and these explanatory words as a libel on orthography—stop thiefh. No. 87. Out-door Concert, by E. T. Eckhout. A lady in rich costume is sitting with her feet on a cushion, and her poodle near by, whilst a courtly group of admirers are rendering homage through the sweet influence of music. No. 88. Mercy's Dream by D. Huntington, 1850. Illustrative of a scene in Bunyan's Pilgrim Progress. The landscape lies chiefly in shadow, except
