touched, and the sunshine falling here and there with brightest glow. Such a scene seems to have been laid out for an enthusiastic and finished artist, and it need ask no higher renown than to have won the admiring eye of Doughty. No. 92. Beggar Girl, by Begasse. How plaintive the air of this child! Although not having yet felt the pinching want that so often reduces the frame and thins the visage of many of her class, still, in her eyes one can read the sad knowledge that with all the plenty of this world, there are some who can only feed upon the husks. She wears a tidy garb, her pretty face and glossy dark hair being set off by a white handkerchief tied under the chin. Her right hand is extended for charity, which may not be slow or stinted when beauty is the petitioner. No. 93. Allegro and Penseroso, by J. G. Brown. These are small figures but will certainly challenge the closest examination in their remarkably fine drawing. Each face represents admirably the emotion for which it is named.
On the 19th of January, the gallery was opened for the first time, invitations having been extended to the President, Governor of the District, Cabinet Officers, the Senate and House of Representatives, the Judiciary and Diplomatic Corps. The President arrived at 10 a. m., accompanied by Ex-Secretary Borie. There was a constant stream of visitors during the day and evening, the ladies in rich toilettes enhancing the brilliancy of the scene. Mr. Corcoran occupied a seat, and bore remarkably well the fatigue of receiving unnumbered congratulations. The wish was universal, that he might long live to enjoy the beautiful shrine of Art. Many of the visitors were interested in a valuable old English Bible of six immense volumes, printed and illustrated in 1800, and dedicated to His Royal Majesty,
