himself. He was prepared. As the extract placed at the beginning of this volume shows, he was one of the few who realised only too well the horror he was powerless to prevent. Yet he made every effort to open the eyes of Europe and especially of the young, so many of whom had learned to look up to him as a leader. To these young men, one of the finest essays in the present collection is primarily addressed—O jeunesse héroique du monde…
Eighteen months have passed and they still endure the terrible ordeal, the young men of Germany and France, whom he had striven so hard to bring together; on whose aspirations and failings Jean-Christophe is a critical commentary. The movements and tendencies of society were there given a dramatic embodiment, permeated for Rolland by the Life Force—that struggle between Good and Bad, Love and Hatred, which makes life worth living. All is set down with the clear analysis of feeling natural to a musical critic. But in spite of his burning words on the destruction of Rheims, Rolland, as is clear from his other critical and biographical writings, is more interested in men than in their achievements. And the men of to-day interest him most passionately. "Young
